Patricia Underwood
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“Maiores” (Latin, “The Elders”)This piece has to do with ageism, the discrimination of those older than oneself, for the sole reason that they are old. This is reflective of a cultural loss of an ancient value and asset, that of ‘The Elder’. This term is more popularly interpreted as an older, wiser member of a clan, tribe or some social group; one who is special within that group, known and respected for their knowledge, experience and character. What I see it to encompass is any human who has lived a long life in terms of years. This includes respect for all experiences and the knowledge and perspective that accompanies. Our modern society values positive experiences almost to the exclusion of negative ones. An elderly homeless person and a nursing home invalid’s experiences hold little value compared to someone who has either achieved economic success or maintained their physical dignity into their late years. The former has as much insight (if not a lot more) as the later. “Maiores” shows the image of an Elder in the center, colored gray, symbolizing wisdom. Shamans and wizards are said to wear gray cloaks. They are surrounded by an aura of hand sewn seed beads, painted iridescent pink, symbolizing their sublime, elevated rank. The circle of figures that encompasses the Elder represents our culture, members of which will all eventually become elders themselves. The rusted ropes wrapping around the Elder represent the connection between the them and their younger members of family and society. The one golden rope symbolizes the energy that comes only with age and experience. “Maiores” is a prayer for the Elders, both present and future. |
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